The artist of the day is Villeneuve. His first album is called First Date and it’s now out worlwide.
On his debut album, Villeneuve succeeds in blending together a lot of different influences to create a very special formula that could be described as pop music for the ears of the 21st century.
Mélanie Pain, already known for her participation in Nouvelle Vague, lends her beautiful and delicate voice to Villeneuve’s songs.
Villeneuve - Oh No!
Listen to more music on MySpace or on the official site here.
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Hervé Salters is the artist behind one-man-band General Elektriks. A French keyboardist with a self-confessed passion for vintage keyboards, Hervé Salters initiated General Electrics just before moving to San Francisco. Using a computer and his oldschool keys, he started sowing together loops, Funky keyboards, light melodies and digital noises.
General Elektriks - Tu m'intrigues
His debut, Cliquety Kliqk, was a collection of 12 retro futuristic pieces where electronica meets hip-hop and funk. The album was first released in France by Bleu Electric, then picked up by Compost for Europe and by Quannum for the US.
Aesthetically, GE is a project that refuses to be classified. A mix of vintage sounds, hip hop beats, dreamy vocals and cinematic arrangements, Cliquety Kliqk embraces all of RV’s musical addictions. Radically new yet strangely familiar, General Electrics is a breath of fresh air in your music collection.
Anglo/Irish duo Moloko are back with their unmistakable sound! Following 2000’s Things to Make and Do, they return with an album that is more dance-oriented than its predecessor but retains its organic feeling. With Statues artistic partners and former lovers Róisín Murphy and Mark Brydon share ten songs that describe the various emotional milestones in a romantic relationship (or rather as it comes apart).
As you may remember, the band emerged in 1995 with their debut album Do You Like My tight Sweater and broke into the mainstream a few years later when “Sing It Back” was remixed by house music producer Boris Dlugosch. The track was a massive hit in Ibiza and this remixed version broke into the top-five of the UK singles chart in 1999, eventually appearing on over a hundred music compilations.
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